![]() It’s worth mentioning that other industries have gotten used to the quick turnaround enabled by modern music technology. If writer no.1 won’t do a good job in good time, somebody else will surely try to. Everybody makes music today, and many dare to live the dream of a professional career. Modern music technology improves a writer’s workflow significantly, and is available to anybody with computer access. The idea of the romantic writer, polishing his/her work for years, months, or even just weeks can not stand up to today’s music industry. What is the value of audio education for today’s music creators? ![]() Few engineers would question the quality and popularity of the brands named above. There’s no question: All the big fishes have their followers. How Musicians and Manufacturers Front the Race Expert users will of course find plenty of advanced controls to take their sound to the next level. For example, even just inserting Ozone on your mixbus will noticeably improve the track’s audio quality. Their plugins are designed to sound great with little effort and knowledge. What makes their products distinct, that is how they encase technology in a sophisticated, yet simple and safe to handle interface. Of course, Izotope and Slate Digital were not the ones to pioneer the digital recreation of outboard gear. The sound of carefully selected vintage gear is recreated inside these plugins. Products like Ozone, Neutron, VMR or Verb Suite Classics are inspired by both, digital and analog technology. In the efforts to make their products accessible to a broader customer base, Izotope and Slate Digital are even taking their product range to the next level. The passive learning effect is still much underrated, but has been gaining increased popularity over the last years. The guides extend beyond the functionality of the software, shedding light on typical challenges in audio engineering, and approaches to overcome these. ![]() When investing into Izotope and Slate Digital products, one can access official video and text guides. If you have researched or invested into their products, chances are you’ve come across their audio education series. Two US companies have targeted this shortcoming in the audio software market, Izotope and Slate Digital. Even though plugins are more affordable than outboard gear and provide more detailed parameter control, the lack of official teaching resources limits knowledgeable handling to audio experts. A buyer is expected to learn how to use the software for great results, but isn’t taught beyond the technical aspects by the manufacturer. While this marketing effort helps a buyer decide in the first place, there’s usually no official backline available to train with the software. Most of the big audio brands showcase their software’s potential through video demonstrations. And chances are you’ll want to work with the latter anyway. While this sounds like a great deal, for the money spent you could buy plenty of 3rd party plugins. Upon successful completion of the exam, one’s name will be registered in an official database of certified professionals. Both companies provide certification courses for their DAWs – Pro Tools and Logic Pro X – covering the use of native plugins in typical scenarios. After all, music is broad enough a horizon for a lifetime of study.Īvid and Apple were among the early ones to answer the call for audio software education. We want to write music, not talk about why the compressor introduced distortion to our track. Naturally, most of us don’t have the time and funds to study a degree course in audio engineering. ![]() Contemporary writing is tied to music production, making things sound (good). …Most musicians are confronted with audio engineering at some point in their careers. What next? Who to blame? For the ambitioned there’s always been the manual, filled with more or fewer terms cryptic to the novice. No doubt, most musicians were in the situation where they bought an audio plugin and couldn’t use it to the extent they hoped to.
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